There is no shortage of outstanding theatre by Eastern European producers on at the moment, and this project is certainly among those worth travelling to watch.

Kirill Serebrennikov’s rendition of Mozart’s “Cosi Fan Tutte” at Komische Oper stands as a noteworthy accomplishment, showcasing outstanding vocal performances and innovative staging techniques that invigorate this intricate operatic work. Serebrennikov’s directorial acumen once again underscores his status as a visionary within the theatrical domain.

Serebrennikov’s directorial ingenuity, alongside his inventive set and costume design, offered a fresh and imaginative interpretation of the opera. The collaborative efforts of Tatyana Dolmatovskaya in co-costume design complemented Serebrennikov’s artistic vision, augmenting the visual allure of the performance.

The cast delivers a performance of exceptional merit, with Nadja Mchantaf commanding attention in their portrayal of Fiordiligi, and Susan Zarrabi delivering a standout performance as Dorabella. Hubert Zapiór, Caspar Singh, Alma Sadé, and Seth Carico each bring nuanced interpretations to their respective roles, demonstrating a profound understanding of character dynamics.

Kirill Serebrennikov’s production of “Cosi Fan Tutte” at Komische Oper Berlin represents a pinnacle of directorial achievement. Through innovative staging, exemplary vocal performances, and meticulous attention to detail, Serebrennikov reaffirms his stature as a preeminent director, capable of breathing new life into classic operatic works with profound intellectual and artistic insight.

Read and see more about this outstanding production here: https://www.komische-oper-berlin.de/en/what/a-z/cosi-fan-tutte/